Hand embroidery is a tactile art. It begs to be touched! Why? Usually because texture and dimension are a noticeable part of embroidery.Sometimes, texture and dimension happen accidentally, but often, designers purposely add dimension and texture to their embroidery projects in order to increase their beauty and interest.
In the first part of this series on dimension and texture in hand embroidery,
we’re going to look at common embroidery threads and how their fiber,
weight and twist help add dimension and texture to embroidery.
Hand embroidery threads: cotton, wool and silk
While there are many types of threads on the market that can be used
in hand embroidery, we’re going to concentrate first on the most common
fibers used for surface embroidery: cotton, silk and wool.
Cotton embroidery thread
Stranded cotton
The most popular cotton thread used in hand embroidery is undoubtedly
stranded cotton, which is also called “embroidery floss” in the United
States.
Stranded cotton embroidery floss
Stranded cotton comes in skeins, and the whole thread that comes off
the skein is divisible into six separate, fine threads. Each of these
threads is made up of two smaller plies that are softly twisted
together.
Because of its soft twist, texture and dimension depend more on the
weight (thickness) of the floss and the type of stitch, rather than on
the twist of the thread.
When embroidering with stranded cotton, you can choose to use any
number of strands, from one to six. If you use one strand of cotton, the
resulting embroidery will be quite fine. As you add strands, the
resulting embroidery becomes heavier. If you stitch with all six
strands, the stitches become chunky.
The number of strands you choose depends on the look you’re trying to
achieve. If you want to add more texture and dimension to your
stitching, you can do so simply by using more strands in the needle at
one time.
Perle cotton #5
Perle cotton
Perle cotton is a non-divisible embroidery thread that is popularly
used for needlepoint and surface embroidery. It is a non-divisible
thread, which means you use it right off the skein without separating
it.
Made up of two plies, perle cotton is tightly twisted, so, overall,
the thread achieves a much more textured effect in stitching than
regular cotton floss does. Just by virtue of the twist of perle cotton,
the thread already adds a certain texture to needlework. Because it is
normally heavier than floss, line stitches like stem stitch and chain
stitch usually sit higher up on the fabric, compared to the same
stitches worked with floss.
Perle cotton comes in four sizes normally used in needlework: #3, #5,
#8 and #12, with #3 being the heaviest and #12 being the finest.
Other cotton threads for hand embroidery
Besides floss and perle cotton, there are other cottons created
specifically for hand embroidery. These include floche and coton a
broder, both of which are excellent hand embroidery threads. They’re
both softly twisted threads, and they create a relatively smooth finish
when stitched.
In the photo above, the green hills, tree and sun are stitched in
floche, while the sheep is embroidered with large, chunky French knots
in perle cotton.
Silk threads
Silk is the Cadillac of embroidery threads. Of all natural embroidery
fibers, silk is not only the strongest, but it also has the highest
sheen.
Two types of silk are used in embroidery: spun silk, which is made
from broken and leftover cocoons, and filament silk, which is made from
single silk filaments as they are pulled from the whole cocoon.
Stranded silk, which behaves much like stranded cotton, is made from
spun silk, while other silks (flat silks, buttonhole silks and other
tightly twisted silks) are made from filament silk.
Consider silks almost the same way you consider cottons. The heavier
the thread and the more tightly twisted it is, the more texture you can
achieve with very little effort.
Wool embroidery threads
Wool embroidery threads (called crewel wool or tapestry wool) are perhaps the most tactile of the threads discussed so far.
Wool is hairy, after all!
Wool is a great choice of thread to use anywhere you wish to achieve a fuzzier effect on your embroidery.
In the photo above, the tiny bunny is stitched in wool, while the
grass and flowers are stitched in cotton. Wool works well for animal
coats!
When stitching with wool, you can use one strand or more in the needle at once.
Just as with cotton and silk, the number of strands you use will
determine the thickness of the embroidery. Wool by nature is already
thick and it covers quickly, but if you want chunky, wooly embroidery,
just use more than one strand in the needle at once.
Putting it all together
Besides working with different weights of specific kinds of
embroidery threads, combining various fibers together in one project
creates contrast, which adds to the textural nature of the embroidery.
Crewel wool and Trebizond silk in woven stitch.
In the photo above, silk and wool work together to create a woven
filling that’s textured and dimensional. The thickness of the threads
and a little felt padding underneath lift the embroidery off the ground
fabric, and the different textures in the silk and the wool provide
contrast and interest to the filling.
Wool, silk, cotton, synthetic and metal threads in one project.
Above, I’ve combined wool, silk, cotton and some specialty threads in
a variety of stitches to create a whole conglomeration of texture and
dimension on the fabric surface.
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